This was a Mexican-influenced concert weekend. I saw Maná in concert on Friday night and Los Lobos on Saturday. Maná is the most celebrated and decorated rock en español band from Mexico and Los Lobos is “just another band from East L.A.” comprised of Chicanos and a Mexican. I speak Spanish fluently, so language was not an issue.
Maná
We caught Maná’s Vivir Sin Aire tour at the Honda Center. Our seats were to the side of the main stage, so we had large video screens and a bank of sound reinforcement speakers right in front of us. Unfortunately, it took a while for us to find out how good it sounded because Maná took the stage 45 minutes after the supposed start time.

The late start time did not stop them from playing three sets. In the first set, Maná played their hit “Mariposa Traicionera” and covered Santana’s hit “Corazón Espinado” (that featured Maná in Supernatural), among many others. This was my first time to see Maná live and what immediately impressed me is how rock solid the rhythm section is. To close out the set, Alex “El Animal” González played an amazing extended drum solo while the rest of the band moved to the secondary stage.

The second set was more intimate. Only Fher Olvera (vocalist), Sergio Vallín (guitarist), Juan Calleros (bassist), and finally El Animal took the secondary stage, which was on the opposite side of the arena from the main stage. They played more stripped down versions of songs like “Te Lloré un Río” and “Vivir Sin Aire.”

The band returned to the main stage for the final set. Fher’s voice was getting a little tired, so he often appealed to the crowd to do the singing for him. The sold-out crowd obliged him, knowing more lyrics than I did. Being sure to perform all the hits, like “Labios Compartidos” and “En el Muelle de San Blas,” Maná packed at least twenty songs into the concert.
Los Lobos
I had seen Los Lobos in concert once before (fifteen years ago co-headlining with Los Lonely Boys at the Greek Theater) but this was my first visit to the Garden AMP. It’s an intimate outdoor amphitheater that has a posted capacity of 497 but I think they packed in a few more than that for Los Lobos. As you would expect, there is a close, unobstructed view of the stage from anywhere inside the theater and the sound reinforcement is great, so this is a venue I will definitely return to.

The entire band are all septuagenarians, so they did not have the same level of power in their voices and energy in their stage presence that they had when I saw them before. That said, the band has been together with the same members for more than half a century and their experience showed. They were well rehearsed and their musicianship was impeccable. As with Maná, the rhythm section was rock solid but I was most impressed by the bassist Conrad Lozano. Even the audio production was very professional with a balanced mix of all of the instruments and voices coming through.
Los Lobos played “Will the Wolf Survive” early in the set and saved “La Bamba” for their encore. Besides their two biggest hits, Los Lobos played a wide variety of songs from genres ranging from cumbia to the blues and beyond. My Mexican companion sang along to all of the traditional Mexican folk songs. Probably more of the songs were in English than the number of Spanish-language songs. Regardless, I was very entertained throughout.
Before closing, I want to give a shout out to to EARPEACE Music earplugs. I am prone to getting earringers from concerts. As I have aged, I have gotten into the habit of using foam earplugs at concerts to protect my hearing, even though they muffle the sound. This weekend was my first time using EARPEACE earplugs and they were worth every penny (they cost over $30). The volume level was comfortable at both shows and the full range of sound was retained and balanced. I will definitely be using them at all the concerts I attend in the future.
